Urbane to comfort them
The quaker librarian purred
Glittereyed, rufous skull
Sought the face,
Bearded amid darkgreener shadow,
Holyeyed.
Art has to reveal to us ideas,
formless spiritual essences.
The supreme question about a work of art
is out of how deep a life does it spring.
This verily is that.
I am the fire upon the altar.
I am the sacrificial butter.
Unsheathe your dagger definitions.
The malestorm
The sumptous murder
The goad of the flesh embittered
Hathaway's bed
The play begins
A player arrives
It is the ghost, the king and the player is him
To a son he speaks, the son of his soul, the prince, young Hamlet and to the son of his body, Hamnet Shakespeare, who has died in Stratford that his namesake may live for ever.
I want to know, or probable that he did not draw or foresee the logical conclusion
you are the dispossessed son
I am the murdered father:
your mother is the guilty queen.
Her ghost at least has been laid for ever.
She died, for literature at least,
before she was born.
Horseness is the whatness of allhorse.
The malestorm
The sumptous murder
The goad of the flesh embittered
Hathaway's bed
The play begins
A player arrives
It is the ghost, the king and the player is him
He carried a memory in his wallet as he trudged to Romeville whistling The girl I left behind me.
If the earthquake did not time it we should know where to place poor Wat, sitting in his form, the cry of hounds, the studded bridle and her blue windows.
That memory, Venus and Adonis, lay in the bedchamber of every light-of-love in London. Is Katharine the shrew illfavoured? Hortensio calls her young and beautiful. Do you think the writer of Antony and Cleopatra, a passionate pilgrim, had his eyes in the back of his head that he chose the ugliest doxy in all Warwickshire to he withal? Good: he left her and gained the world of men.
But I
Survive
But I, entelechy,
form of forms
am I,
by memory
prize of their fray.
Agenbuyer.
I paid my way
I paid my way
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